In 1992, the San Francisco Museum of Modern Art opened the first major museum retrospective of the work of Jeff Koons, who, at a boyish 37, was already an art-world sensation. 

His series "Made in Heaven," a set of photo-realist paintings depicted himself and his wife in various acrobatic coital poses. The documentary film asks: "Is Koons a canny media critic, or a cynical market-reader trading in re-purposed junk, or something ineffable?" 

Roger Teich and Henry S. Rosenthal's compelling, keen-eyed time-capsule work, filmed on 16mm at and around the opening of the exhibit, gives unprecedented access to Koons, features the last on-camera interviews with Jeff's father, Henry Koons and exhibition curator John Caldwell, and leaves that question tantalizingly open. 

The result is a multi-sided portrait of a man whose work continues to raise difficult, probing questions about the role of the artist in society.